for those familiar with the infamous birmingham techno movement, makaton is someone who needs little introduction. for those that arent, the brummie producer is the head of the inimitable rodz-konez and has seen himself showcase his cut-throat techno on seminal labels such as token and blueprint. his first contribution for voitax came at the end of 2017, with iconic dance floor slayer around the throat, which went straight for the jugular on the voi 010 v/a. a good half a year on and we get immaculata - makatons full debut ep for voitax. early support by ancient methods, and, anosme, anastasia kristensen, dave clarke, drumcell, electric indigo, henning baer, inigo kennedy, kangding ray, kwarz, manni dee, matrixxman , marcel dettmann, mark broom, phase fatale, pfirter, rebekah, ruffhouse, stephanie sykes, surgeon, swarm intelligence, svreca, tommy four seven, umwelt and many more.

poker flat recordings drop a new four track ep from greek techno / house producer thanasis voulgaris. under his kindimmer moniker, voulgaris has been putting out quality dancefloor music since 2010, including a handful of releases already for steve bugs iconic poker flat label. ‘merge, the title track sets the tone with a killer, propulsive rhythm, adding chopped up organ stabs and shuffling funky percussion. ‘swift changes has a similar deft touch, all slinky chords that bring about thoughts of the classic detroit sound, while adding his own signature take. ‘its coming is a little harder, with a booming kick and tricky hats, before opening up into another deep bomb that will keep the more discerning floors in raptures. ‘ride with me flexes its funk - the groove jacks a little harder and the vibe is definitely ready to make the basements sweat.

the year could not be complete without having a new release from the man behind the hat koelsch

pleasure zone prudly welcomes locklead to the family! we re very happy as his debut for our little imprint is a bomb!

das neue album von the bosshoss als 45rpm doppelvinyl im klappcover.

a collection of 14 classic tracks from the streets of little italy.

produced by producerlegend toby wright (korn, alice in chains, stone sour)!

the ultimate disney movie hit collection on vinyl lp.

christmas greetings from eric clapton on 180 gram double vinyl, cut at 45rpm. housed in a gatefold sleeve

following previous appearances on station shiva and discos pandemicos, estrato aurora makes his first appearance on bliq with some advanced deep techno immersions that match the profile of the label perfectly. ursus dolinensis takes a slow ride into submission, placing all the emphasis on the low end and using subtle background frequencies to shape out the atmosphere. lunanosorex takes a particularly tripped out approach to electro, while glyphodon adds a little industrial bite into the machine funk framework without losing that steely atmosphere that makes the whole ep so appealing. leonids remix of ursus dolnensis is the perfect complementary addition to the ep the dolly and sistrum artist adds his own rugged deep techno machinations to the track to deadly, understated effect.

born ruffians’ debut album from 2008 back on limited vinyl with download code included.

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

axe gabba murda mob releasing on prspct’s rvlt imprint for the first time. what does this mean? well.. bryan furry & hellfish with their signature quality uk hardcore sound but jut that little bit more broken up. in other words: brutal and out of the box. just the way we like it!

much of modern music has its roots in adventurous recordings made at westbound records in the early to mid-70s - super breaks is proud to pay homage to some of their greatest sampled tracks.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
one of the founding figures of the jamaican music industry, arthur duke reid produced many of the classics of the ska, rock steady and early reggae eras. and when, in the mid-1970s, dub music took hold, he was able to call upon one of the most talented soundmen in the business, errol brown. utilising some of reid’s most memorable rhythms, performed by the producer’s legendary session crew, tommy mccook & the supersonics, brown created some of the finest dub mixes of the period, a dozen of which were gathered on treasure dub vol. 1, one of the most acclaimed collections from the golden age of reggae.

public release maintains its coast-switching lifestyle with what is perhaps its most ambitious project—and inarguably its longest - yet, earth boys’ debut full-length, the eboys lp, the logical conclusion to a chain of collaborations that began, a little over a year ago, with the release of their trail mix ep. the two-disc, twelve-track album represents a new high for the pair comprised of michael sherburn and julian c. duron both creatively and technically, ideas they’ve been stewing and simmering since their splash of a debut in 2015 are now presented fully baked here.

br welcomes a special release for its 4th episode. this time it s a team work, showing a large scale of the label s tastes with strongly different tracks between breaky house-techno, downtempo and idm.

&#8203,,&#8203,,introducing paris-based contemporary sculptor and music maker erwan sene joining the exponential unknown precept roster. gathering pieces thought of as little narratives for his debut release, not without a bit french irony around the concept of work, i heard you laughing wavers towards mechanical repetition and something more outdated at times. purposely slowing down the tempo to fit the apparent redundancy of an industrial environment and its steadily running engines. an eroded atmosphere of sorts, analogous to the smokestacks emanating from factory chimneys. accentuating the ambiguity of a wild thought which is hard to grasp. despite its machine-driven aspect, sene primary questions the difficulty to manage one s life stuck in a primitive mindset, making intuitive associations in a grid pattern. carbon copy music for the tangled minds out there, leaving room for nothing but sedated feelings.

till today fumio itabashi is a vital part of the japanese jazz culture as a live performer and film score composer. those who want to see how he makes love with his piano should check the world wide web for the french documentary jazzed out, that captured his unique way of playing in one episode. but as music is always firstly for the ears, and not for the eyes, this little letter in-front of you would rather like to recommend to play the “watarase” recordings loud to get hooked by the highly infectious piano gems that have been recorded at nippon columbia 1st studio in tokyo on 12th and 13th of octo-ber 1981. they will haunt you. they will come for good. and they will force you to be a good friend with the repeat button – whatever medium you chose to surrender to the piano jazz music of fumio itabashi.

livity sound continues to be one of the most innovative labels of its era with another essential release, this time in the form of a debut long player from forest drive west. this extended 2 x 12” and digital release, apparitions lands in october 2018 and is a fascinating further development of the producer s intricate fusions of techno, dub and jungle. * the acclaimed uk artist has released two eps on the label before now, as well as on its sister label dnuos ytivil and the likes of hidden hawaii, appian sound, and london drum & bass outlet rupture. little is known about the london based producer but in just a couple of years he has established his own unique blend of complex rhythms and tactile sound design, distilling a rich history of uk musical influences into fresh new forms. * this record continues in that tradition with a mix of sparse rhythm tracks that contrast heavy weight drum programming with rich and deft sound design. from menacing and mysterious, to cinematic and hypnotic, it makes for a compelling and immersive experience. apparitions is a landmark release for one of the uk s most exciting new producers.

limited edition of 750 individually numbered copies on orange 180 gram vinyl.
the jamaican sonia pottinger was once called “the most important jamaican woman involved in music business”. dancing down orange street is a collection of some of her famous productions for different artists. the album captures the moment when rocksteady transformed into reggae by speeding up a little and moving towards a more jerky and less smooth musical palette. famous singers as delano stewart and ken boothe are present on the album with multiple tracks. the vocal trio the melodians (known for their hit “rivers of babylon”) provide a couple of beautifull songs. even after all those years (released for the first time in 1969) the compilation remains a treasure of showcasing some of the finest songs produced by sonia. sonia pottinger was married to music producer lyndon pottinger and started to record musicians in 1996. during the late 60’s she produced songs for joe white, the melodians and toots & the maytals.

the flamboyant and off-kilter title track from rones latest album, mirapolis is one of the last solo tracks that the producer composed in the spring of 2017: its one of the rare tracks on the album for which i thought about the live performance. while putting the final touches to it in the studio, i imagined myself at festivals via memories of previous tours. i wanted to record a festive track, which completely stands by its funfair vibe. with this new four-track ep (including three remixes), combined with a new video by aurélie castex, rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor – and our screens. johannes brecht, shadow craftsman of the hamburg label diyanamics studios, offers a refined reading throbbing with cerebral pulsations. appropriating the main theme in a subtle way, coated with multiple harmonic layers, his textures alternate white noise with organic basses that builds up to a delightfully classical cello outro. german-based figurehead of the south american scene, comeme label boss and founding member of the late closer music project, matias aguayo, has never ceased throughout his career to set off little revolutions on the planet of demanding dancefloors. playful and wild, aguayo sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a huge wave of analog synthesizers that destroys everything in its path. french techno scene boss laurent garnier embraces the original piece in all its meticulousness and its psychedelic lifeblood. a hypnotic and mischievous loop infiltrates itself without warning into the reptilian cells of the listeners brain.

the german boogie compilation “boogie on the mainline” presents a selection of 10 rare disco tracks from germany plus one more tune from austria, all of them, originally released between 1980 and 1987. check! . the fully licenced album contains little known tunes by groups like imagination (which you can also see on the cover of the lp), squish, upstairs, the poptown syndicate and more. as the boogie-ish post-disco side of german music history still basically remains undiscovered as of yet, “boogie on the mainline” hopefully will shed some light again on 11 rare gems that were mainly published on small or private labels. the album is released on loudly pressed double vinyl with gatefold jacket on the new artless cuckoo sister label boogie on the mainline records. it includes extensive liner notes by compiler john raincoatman aka dj scientist.

(2x12 inch gatefold lp+cd) kinobe scored one of the biggest chill-out club hits of the noughties, the deathless slip into something more comfortable. known from dancefloors, club backrooms, bars, radio spins, cafe del mar compilations and tv spots the world over - most famously the femme fatale kronenbourg beer advert - slip established the duo at the forefront of a scene that still includes groove armada, air, royksopp and zero 7.

** limited 2018 repress ** we have taken a little while to develop a new technology, encoding a so called hypnotising agent into both vinyl and digital tracks. this agent will activate automatically on any club sound system past midnight and set your crowd in a dream-like state. experience of one-ness, euphoria and spiritual transcendence are welcome side-effects. enjoy our new thoroughly dancefloor-tested mountain people release.

das multitalent louis cole veröffentlicht sein drittes solo album mit gastauftritten von thundercat, brad mehldau, georgia anne muldrow, john keek & vielen mehr auf brainfeeder! der in los angeles lebende sänger, songwriter, produzent und multi-instrumentalist louis cole veröffentlicht im september sein drittes soloalbum ‘time’ auf brainfeeder. der mitbegründer der alt-pop/ elektro-funk-band knower hat sich 2003 einen platz bei einer speziellen -quincy jones presents--serie für aufstrebende bands in l.a. gesichert, tourte im vorprogramm der red hot chili peppers und seinen witzigen videos für seine songs (‘bank account’, ‘weird part of the night’) wurden millionenfach gestreamt. auf coles neuem album ist u.a. auch thundercat vertreten, der den lead-gesang auf der single „tunnels in the air“ beisteuert. sängerin genevieve artadi, der gefeierte jazzpianist und experimentelle komponist brad mehldau sowie big dada-soulsänger, georgia anne muldrow-kollaborateur und king krule-toursaxophonist john keek sind mit von der partie, genau wie das 23-köpfige streichorchester rochester stringz von der eastman school of music.

antoine harispurus was raised by a robot called v.i.c.t.o.r. the robot took care of little antoine and early on he gave him music lessons and also the right equipment, for example a roland 808. robotic, mechanical precision became significant for antoines music and soon he left the safety of his mothers toy store for the huge european club scene under his new pseudonym golden bug.
this year he releases two songs as a 7 inch vinyl and in digital format on hoga nord rekords. the a-side, “viaje a tenderloin” sounds like the inside of an east german military liaison in 1975 where the tabulating machines haven’t had service since the raise of the berlin wall. on the b-side “hitodoma”, guest vocalist jessica ho plays with her voice in a bubbly way above golden bugs characteristic metallic, world music influenced sounds and beats. the music would fit perfectly in a vast alien mountain landscape.
in conclusion, the music on this 7 inch is the sound of human and robot in close symbiosis - golden bug is music by robot and human for robot and human.

limited repress on 180 gram vinyl.

time to express sp-x joins rekids special projects with four punishing techno cuts this september. little is known about mysterious producer sp-x. after a string of quality releases on komisch, time to express, and projekts, the brussels-based artist has garnered a strong following for his rolling techno sound. the enigmatic producer now joins matt edwards rekids special projects roster, following on from releases by dj spider, jon hester, dj deep, fbkand dustin zahn among others. an amalgamation of metallic hits, powerful drums and plucky arpeggios commence the package in dystopian lotus before the fast paced breaths of separation offers a rumbling low-end, frenzied atmospherics and cosmic chords. the orbiter delivers distorted top lines and a thundering kick on the flip, backed by mysterious sirens and resonant synth blips until the package rounds off with desire of invisibility, a high-octane finish with sharp, organic percussion and a vacillating sub alongside stereo delayed stabs.

in 2011, when singer/rapper/songwriter phonte of the foreign exchange (+fe) fame released the critically-acclaimed, top 10 rap/hip hop album, charity starts at home,it was an impactful reminder that phonte was more than just the occasionally comical, often reflective crooner of +fe, much more. as a rapper, phonte had been the lynchpin of north carolina’s globally respected four album, six mixtapes run of the now defunct little brother trio, whose “lovin’ it” single from the 9th wonder produced the minstrel show is a bonafide cult classic.

given his prolific, decades long-career, it’s little surprise that kirk degiorgio has more than a few lost musical surprises in his back-catalogue. ‘sphere’, his new ep on garage hermétique, finds degiorgio in his as one guise, delivering a lost classic on vinyl for the first time alongside a pair of rarities and a brand new mix by detroit pioneer juan atkins

diving into nu’s musical world is like a butterfly’s flight through the tropical nature of the peruian andes. orchídeas. cantutas. mariposa. at berlin’s bar25 club, nu was a pioneer. with his organic sounds, he paved new paths and set the foundation for a new genre: relaxed, open-minded, playful, floating, full of soul and depth.under the alias canu, he and mexican world-traveler alejandro castelli draw us under a spell once again with “mariposa“. the unwavering beat grooves to the sound of the melody. equally inspired by his music, bedouin, kmln, viken arman and davi each contribute a remix to this single. these four artists are also among the brightest stars on the night‘s horizon. let’s fly little mariposa…

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

special remarks+gadget mini jelly slapping hand for the first 250 units: special remarks this time the little treat youll find with the vinyl (limited to the first 250 copies) is an apparel wax trademarked mini jelly slapping hand, to always remember not to take ourselves too seriously!

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

the 1995 album from michael jackson on double picture vinyl.

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

‘neverending story’ opens with ‘a dimension reflected’ and its introductory mixture of keys and beats. the beat is built upon piece by piece, while slippery synths fill in the upper registers. the second track, ‘planet texture’, opens with a blossoming pad which is soon joined by a steady kick and some bouncing synths. before long an adventurous bassline joins in and puts the track into full groove mode. there’s a twinkling synth floating above it all, sometimes present, sometimes not, making you wonder if you’re really hearing it at all. next up is the first track on the b-side, ‘old problems’. filled with little samples and microsounds, the track uses its beat to push through heady and sometimes disorientating array of colours that swirl across the track. a wide synth enters affairs a third of the way in and helps push the track out onto the dancefloor. ‘neverending story’ comes next, featuring a skittering beat and atmospherics that seem to come from far away. a low bassline pops in and out of the track here and there, while pondersome some keys complete the mood. the ep closes with ‘algorithm’, another scrambled, unpredictable track. the track opens with a rainbow of keys and synths, darting between your ears in their affected manner. an almost glitchy ambient track, it brings to a calm close a fantastic release.

mühelos überbrückt david guetta die kluft zwischen elektro und urban music, und seine einzigartige vision sowie seine angeborene fähigkeit, zwei welten miteinander zu vereinen, befähigt ihn dazu, immer wieder einige der heißesten kollaborationen des planeten aufzustellen. er ist einer der größten superstars der dance music, eine internationale, mit zwei grammys® ausgezeichnete ikone mit über 50 millionen verkauften alben und singles sowie mehr als 10 milliarden plays auf youtube und spotify. sein außergewöhnlicher katalog enthält zahllose #1-singles, mehrere gold- und platin-auszeichnungen, die beiden grammys® und die meisten follower in den sozialen medien, die ein dj/producer je hatte. david guetta gehört unbestritten zu den erfolgreichsten djs weltweit. jetzt erscheint mit 7 sein siebtes studioalbum, das wieder mit hochkarätigen kollaborationen besticht.

30th anniversary edition of 1.500 individually numbered copies on blue 180 gram vinyl.
bomb the bass is the alias from the english electronic music producer tim simenon. he released his debut album into the dragon in 1988. it s an intriguing trip through electro, acid-house and hip-hop music. on the album you ll find his breakthrough hit -beat dis-, which became popular in the underground and club circuit. it feels like you re listening to a radio broadcast show, including intro skits in a melting pot of styles. a true classic in the history of using samples in music. bomb the bass were one of the first acts to bring sample-based music and scratching to a mainstream audience.

music is feeling, music is meetings. in 2015, the s3a records 04 was released with collaborations of good friends of s3amet in the world by the music (tito wun, mannmademusic). this sampler continue the story with tracks from people s3a met during gigs and travels in the past year: sweely delivers here great speedy long jazz banger with a great voice sample as a theme. the columbian felipe gordon gives a great stompy funk bass track! on the b side, the french g2s drops a beautiful house sample based -graef like- song. for the last track need a little bit of story. in 2016 s3a released an ep called 3711 on soundofspeed records in japan. the track -bush- taken from this ep has been remixed during a contest in early 2018. 42 remixes were done and the winner has is remix edited here. pnom pen gives us here his 80 s electro version of the track adding great pads and a complete different rhythm and grooves!

in 2016, after reissuing two bruce haack albums, haackula and electric lucifer book ii, telephone explosion began speaking with ted pandel (bruces lifelong friend and business partner) about working on the 1970 masterpiece the electric lucifer. it turned out there was another matter that he wanted to discuss: finding a final resting place for the bruce haack archive.

the latest collaboration between nicolay and the hot at nights. available now on lp. nicolay is the producer for the foreign exchange along with rapper/singer phonte (little brother).

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy.

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy

long-serving us house champ dj dan dropped an absolute bombshell when his slammin trax vol.1 ep landed earlier this year, and now the veteran big room party starter is back with another clutch of tracks on his peerless instereo label. alongside fleetwood smack he drops the crazily funky vocal jam do 2 u, while his remix of conga squads live at k-market- brings a little fidget-esque hype into the mix. the b-side kicks off with jarred gallos feisty roller peep the technique, and then it s back over to dan in partnership with mike balance for the raw, jacking overworked.

craig christon and bonar bradberry team up as before christ for this essential slice of brooding party fuel, leading in with the trippy, otherworldly tones of barry s k. from the grinding pulse of the analogue bassline to the mystical keys, it s the consummate astral traveler for djs exploring the outer realms of the dancefloor. mushroom project gently rub more spaced out elements into the original, injecting a little light and letting the hits linger for longer in the ample space of their killer version. tuesday club finds before christ turning to a more sharp-edged rhythmic palette without losing the hypnotic qualities of their sound, before mushroom project return to lay down a rubbery 303 bassline that fits right in amongst the raw drum hits and dense fx processing.

direkt im anschluss der nutzung von ›you can’t always get what you want‹ im staffelfinale der emmy-prämierten tv show big little lies, erscheint ›chill in saint tropez‹, ituanas debütalbum, zum ersten mal als cd sowie auf vinyl. das album liefert kollaborationen mit são vicente und dem tango tripping project und enthält lounge versionen von klassikern wie bob marleys waiting in vain, the doors light my fire und astrud gilberto & stan getz garota de ipanema. als bonustrack enthält das album zudem den special big little lies edit von ›you can’t always get what you want‹, so wie er in der hbo erfolgs-show eingebunden ist. dies ist eine weitere großartige ergänzung für ihre lounge music sammlung.

what recordings present their new release the m-ep (what03) with the original tracks „muzic- and „mentiv-. after the what? members and label owners tobi neumann and patrick ense released their first two eps in 2017 they had earlier this year already a highly respected release „what you doing ?- in collaboration with dorian paic and legendary singer eric d clark on arno einzelkind s imprint la peña. they went back to their studio and came out with this two little gems. the track „muzic- was already played by ricardo villalobos on several festivals during this summer.